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FoundryMusicHammer
Date Added: 08/20/2005
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TRANSGRESSION

Transgressions another one of the more anticipated records from a band that has been plugging away for years. I need to make those all aware right away that this isn't like the last record. Then again they start it off that way with “540,000 Degrees Fahrenheit”. It does kick some ass to start it off right.

Then again Dino is still a missed member in the FF sound scape but I still feel Christian has duplicated the guitar sound to a degree that many metal heads will still be able to thrash out to. Also all Fear Factory records must be blasted on good home stereo speakers and not out of a computer speaker. The crush effect works better.

Transgressions has a drifting quality while Burt is very understandable in his anger. Still you’ll hear more effects under everything. “Spinal Compression” serves up more decapitating riffs that rule in my ears! It even ventures into a more dark black area. “Contagion” brings it to more of where they were on the first album in some ways. It has a very catchy chorus.

“Empty Vision” sees them laying down a holy shit riff and the production seemed more raw on this track, lacking production that may have been done on purpose to give it a more raw core sound instead of all the dressing they could have used. I still can’t help saying that is a more Obsolete gear the most. All must remember that these guys always were here to add the extra shit into the cauldron to avoid stagnation. I think that is what this is about. They cant keep releasing a Demanufacture or Archetype every damned year.

Then a very slow track in “Echo Of My Scream” comes along and is more near ballad like and just the broken down Fear Factory. They took one chance there. You then hear a great catchy track in “Supernova” that is definitely more commercial edged with cool orchestration. I’d imagine they’ve been listening to some new Paradise Lost and their 80’s new wave again. They sorta sounded like U2 on this one.

“New Promise” is another track that has a ballad like taste as it shows more sorrow like sounds. You’ve never heard Burton C Bell showing his real voice like this. The song picks up with some power and is very catchy and does pound out.

The first listen I didn’t see the song titles because they are printed on the CD and then I hear a familiar riff. I was sitting going that sounds like U2? What? U2. I was in a shocked state. I never thought I’d hear a U2 track but hell they covered Gary Newman so it should be a surprise? They do a great cover version of it is one thing to say I still think it should been the last song on the record.

“Millennium” serves it up rocking heavy with some commercial slickness in it as with some industrials. Then again it has a catchy chorus. “Moment Of Impact” provides the crush riff closer.

I think the main point of this record was to show a healthy dose of change but not straying from the original point. I think they mixed it up well and it wasn’t over produced or over manipulated. They throw a few curves at the listener and are growing. I feel most fans have been bracing for a more accessible band and the time is now And they did it without pussing out.

DIGIMORAL
by FEAR FACTORY

ARCHETYPE
by FEAR FACTORY

BITE THE HAND THAT BLEEDS
by FEAR FACTORY