Video Audio Photos
The Music of FoundryMusic For Adults Only Opie & Anthony Pest Network Shop Foundry Pics & Videos Cam Girls
Posted By:
FoundryMusicGreg
Date Added: 04/09/2007
Share Review
You can share this review all across the internet by copy-pasting the link to the review below.
Post This To:
Post to del.icio.us Digg This Post to Furl Post to ma.gnolia.com Post to Newsvine Post to Reddit Post to Spurl Post to Yahoo Post to Facebook Post to Facebook Post to Yahoo
URL:

In the Know

Groove-oriented rock with grunge influences is the name of the game on this reissue of two albums from 1992 and 1993. Preface is the first disc, made up of 10 official songs and 2 bonus tracks. “The My Way” is a slow way to start things off with a simple groove. “Listen” has a powerful chorus with impassioned vocals followed by “Mortify Me” which has haunting Layne Staley-like vocals and a mid-tempo groove. “Could’ve” recalls old-school Anthrax, but although it may be fast, it sounds hollow and lacks punch. The band pours the sludge on with “Put It Off”. A brief solo is the highlight of the otherwise sub-par “Not A Part of Your Life”. The music is fairly simple and has more of a Helmet influence with maybe some Corrosion of Conformity thrown in for good measure. One of the bonus tracks, “Forgive and Regret”, is better than anything on the album with thick bass lines, stop/start drumming, and lively riffing. It definitely is a departure from the bleak, doomy soundscape that’s on the actual album.
 
Non-Fiction steps up their game on In the Know. The title track is fast, but this time with a sense of urgency; the guitars, bass, and drums interlock into a captivating groove. The drums are high in the mix and there are some cool, unpredictable beat patterns. Even the solos sound more inspired this time around on “First and Lasting Impressions” and “Sound Decisions”. “Acceptance” starts slow and builds up to a faster pace, and has one of the better vocal performances on the album. Acoustics show up a few times with the instrumental interlude “No Comment” and in the light, up-tempo “Next to Nothing”. One drawback is that there are 14 songs, and 2 bonus tracks; a length that could’ve been cut down to something more manageable. The bonus song “Dark Day” is simply dull. As a whole, Non-Fiction had something pretty interesting going on; the musicians all had their chances to shine. They sound like a cohesive unit that would be able to pull off an impromptu jam without breaking a sweat. Helmet and Alice in Chains fans should take notice.

HOME
by ANNIE MINOGUE

THE SPOKEN AND THE UNSPOKEN
by ANDY TIMMONS

SOPRANOS - PEPPERS & EGGS
by HBO

ZAKK WYLDE - ALCOHOL FUELED BREWTALITY LIVE
by ZAKK WYLDE - BLACK LABEL SOCIETY

FIFFLE
by FIFFLE

BLIND DOG - The Last Adventures Of Captain Dog
by BLIND DOG

STAIND - BREAK THE CYCLE
by STAIND

QUIET RIOT - GUILTY PLEASURES
by QUIET RIOT

THE NEWLYDEADS - DEAD END
by THE NEWLYDEADS

THE CULT - BEYOND GOOD AND EVIL
by THE CULT

TOMB RAIDER SOUNDTRACK
by PARAMOUNT

RADIOHEAD - AMNESIAC
by RADIOHEAD

STP - SHANGRI-LA DEE DA
by STONE TEMPLE PILOTS

TED NUGENT - FULL BLUNTAL NUGITY
by TED NUGENT

SAVATAGE - POETS and MADMEN
by SAVATAGE

PERFECT SELF
by STEREOMUD

I AM VENGEANCE
by VARIOUS ARTISTS

NATION
by SEPULTURA

UNITED BY FATE
by RIVAL SCHOOLS

PURE ROCK FURY
by CLUTCH